Just before Thanksgiving, OK Go released via Facebook their newest music video, a stunningly-intricate 4.2 second clip slowed down and synchronized to their 2014 song “The One Moment.”
Since Wednesday’s release, publications like Ad Age and Adweek have covered the video with specific focus on Morton Salt’s role as a patron. This concept relates to what a Forbes contributor recently documented as a rise of native advertising in the music business.
While native music advertising and brand patronage differ in tactical execution, together they demonstrate a greater trend of brands supporting music artists, which is what we’re all about.
With that said, this part of the video - the brand patronage - wasn’t exactly new to us.
What was new to us? Well, watch the video and we’ll get there.
As mentioned previously, the video served a dual-purpose, promoting the creative concept behind the song in conjunction with an uplifting advertising campaign from Morton Salt titled “Walk Her Walk.” Here are the two messages:
The creative concept behind the song was described by lead singer (and the video’s director) Damian Kulash, Jr. as “a celebration of (and a prayer for) those moments in life when we are most alive.” He continues, “We constructed a moment of total chaos and confusion, and then unraveled that moment, discovering the beauty, wonder, and structure within.”
On the “Walk Her Walk” webpage, Morton Salt describes the brand’s “promise to make a positive impact in the world,” before highlighting five young innovators inspiring positive changes in their communities.
Brands looking to advertise using music should take note of how Morton Salt communicated a message without interrupting or interfering with OK Go’s artistic vision.
In August 2016, eMarketer reported that 71.2% of social influencers identified authenticity as the key to keeping their audiences engaged.
OK - here’s what we found particularly interesting. Beyond the trend of increased brand patronage of music, the most noteworthy takeaway for advertisers from the new OK Go video is... the inverted method of its distribution.
Instead of posting to YouTube and sharing a link across social, the band posted the music video directly to Facebook and subsequently used other social networks, such as Twitter, to point toward Facebook.
“What feels a little different about Facebook is it's more geared toward sharing directly,” Kulash said. “10 years ago, something on YouTube mostly got shared as links. And now people are sharing things in a different way.”
So does this distribution model mean YouTube is growing obsolete in today’s video landscape? Not necessarily, as the band did publish their new video on YouTube a day after its Facebook release.
However, the rise of Facebook video has been well-documented all year, building more when, according to Business Insider, a Facebook exec suggested in June that the future newsfeed may be “all-video.”
What OK Go’s straight-to-Facebook music video does signify is YouTube’s previous stronghold on video, specifically as it pertains to music, is under siege.
If The Medium Is The Message, What’s The Message?
As marketers know all too well, where content gets consumed impacts how consumers process and act on messages. For Kulash and Morton Salt, the medium of Facebook encouraged consumers to share the video, rather than simply “view” it.
This, at some level, allowed consumers who shared OK Go’s new video to communicate to their own audiences:
“Look at me, I keep up with the #trends.” And/Or
“Look at me, I support this kind of art.” And/Or
“Look at this, commercials CAN be good.” And/Or
“Look at this, some band made a video for my favorite brand of salt.”